Novocomun on wheels





Direct Architecture
Novocomun on wheels
curated by Marco Scotini
Borgovico 33 Como, Italy


Maria Papadimitriou has designed a mobile platform that can be moved around Como. In a derisory and light-hearted gesture, the artist has placed one of Como’s best-known pieces of Modernist architecture on wheels. The famous corner solution of Terragni’s Novocomum, one of the first Italian examples of Rationalist architecture from the 1920s, becomes a scale model just over six metres tall, with coloured lights on the inside that make it Pop and an example of truck-art.

The People’s Choice

Hotel Isola , 2006



A Local Home Away from Home

Hotel Isola consists of a reception desk and a room with a bed. The project is part of a chain of Free hotels that I have installed in unlikely places, offering people a chance to rethink, to take stock and to rest. My work uses these homes away from home not only as places for quiet reflection but also as sites where another community is grouped together around new relationships and ideas. The hotel is open to everyone around the clock: the world’s traveling art community, the Milanese passer-by, the squatter, the tourist, the city dweller and anyone interested in reflecting on public space from a semi-private perspective.

Ultimately, Hotel Isola is also the result of the surrounding community’s conflict with the local urban planners and the Garibaldi-Repubblica building project. While the Isola residents would like to transform the abandoned factory into a community center, the planners would like to tear down the old structure to make way for high-rise commercial towers. My hotel – as a transient space – provides for a home for the Isola residents’ reflections as well as a monument to their history. Apart from one bed, Hotel Isola is filled with objects that I collected from the factory and from the locals. Here, visitors can rest with the past and contemplate the future.








T.A.M.A. sentimental






«T.A.M.A. sentimental» is a part of the on-going project «Temporary Autonomous Museum for All» which provides social facilities for itinerant populations in greece. In this case «facilities» are determined by the psychical properties for those nomads. Every activity whether it will be artistic or financial it is closely related with sensibility. This sentimental stage challenges a way of perceiving the world and nature beyond any opportunistic dimension. Emotion and melody creates a mysterious work of transfiguration altering our relationship with the balkan landscape.